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March 5, 2009
Posted: 2051 GMT
LONDON, England – In case anyone had forgotten, the electronic billboards and scrolling tickers inside London's O2 Arena as Michael Jackson announced his musical comeback offered a constant reminder of the reclusive superstar's iconic stature in the transient world of show business.
Kim Jong Il, left, strikes a similar pose to Michael Jackson, right.
"Michael Jackson - King of Pop" they declared. But these days Jackson is more the Kim Jong Il of pop. Both are reclusive, secretive figures who have become prisoners of their own mythologies and about whom all manner of strange and apocryphal tales abound. Like the North Korean leader, the pop star's every public appearance is scrutinized and analyzed for clues as to his physical and mental well being. And both share a weakness for the sort of tightly choreographed public displays of adoration that took place here on Thursday. Jackson's fans, many of them far too young to remember him in his late 70s-early 80s heyday, turned out in modest force Thursday; several hundred of them obliged him by showing up to scream, some of them dutifully waiting up to five hours to set eyes on their idol. "As his fans we want to say to him that we love him, he needs to be strong and give us a good show and we will always support him," said 28-year-old Joanne English. Famously protective, the fans also made clear their disdain for the media, who they claim have vilified and ridiculed Jackson, greeting the arrival of the press corps - admittedly obscuring the views of a good proportion of those present - with boos, jeers and rich expletives. Yet despite Jackson's obvious affection for his fans, it is hard to avoid the conclusion that his 10-date stand in London – his first concerts in more than a decade - is driven primarily by financial necessity. The O2 Arena - a clinically corporate entertainment complex on a cold peninsula in an unloved part of southeast London and formerly the near-universally maligned Millennium Dome - has finally found its purpose as the provider of instant pension checks to the gerontocracy of popular music; a coterie of pampered stars it is perhaps fair to say have not always been as careful with their earnings as their accountants would have liked. Now it looks like it is Jackson's turn to cash in his chips. His "Thriller" album may be the biggest selling album of all time but in an age when music is so easily swapped, pirated and ripped, live performance is now the only surefire banker for musicians looking for a quick return on their fanbase. With Jackson vowing that these will be his last ever performances in London, the question many will now be wondering is whether the famously frail star will see out his stint by the Thames. Jackson's best music may still sound as fresh as ever but is it really realistic to expect him to put his 50-year-old body through the sort of punishing dance routines that have been his signature? Posted by: CNN digital news producer, Simon Hooper |
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